{"id":7968,"date":"2020-03-06T11:02:29","date_gmt":"2020-03-06T11:02:29","guid":{"rendered":"https:\/\/skaftfell.is\/stadur_\/"},"modified":"2025-09-10T13:07:10","modified_gmt":"2025-09-10T13:07:10","slug":"stadur_","status":"publish","type":"post","link":"https:\/\/skaftfell.is\/is\/stadur_\/","title":{"rendered":"STA\u00d0UR_"},"content":{"rendered":"

STA\u00d0UR_ er \u00feriggja daga s\u00fdning \u00ed s\u00fdningarsal Skaftfells \u00e1 verkum eftir Julian Harold<\/strong><\/a> (FR), Hyun Ah Kwon<\/strong><\/a> (KR), Kristen Mallia<\/strong><\/a> (US) og Kirsty Palmer<\/strong><\/a> (UK) sem eru gestalistamenn Skaftfells \u00ed febr\u00faar og mars 2020.<\/p>\n

S\u00fdningin STA\u00d0UR_ er vi\u00f0brag\u00f0 listamannanna vi\u00f0 kynni \u00feeirra \u00e1 sta\u00f0 og r\u00fdmi me\u00f0 \u00fev\u00ed a\u00f0 sko\u00f0a ferli, efni og t\u00edma. Hver listama\u00f0ur notar mismunandi mi\u00f0il og t\u00e6kni og veltir fyrir s\u00e9r hugmyndinni um samsetningu r\u00fdmis; ja\u00f0ra \u00feess og r\u00fdmisins inni \u00e1 milli auk sk\u00edrskotanna til s\u00f6gu og minninga. Verkin, sem eru oft endurspeglandi, eru ekki eing\u00f6ngu safn upplifanna hvers listamanns fyrir sig \u00e1 sta\u00f0num heldur b\u00faa \u00feau einnig til vettvang fyrir samfund innan s\u00fdningar\u00fdmisins og skapa \u00feannig yfirf\u00e6rslu milli listar, r\u00fdmis og \u00e1horfanda.<\/p>\n

Opnun: \u00deri\u00f0judaginn 17. mars, kl. 17:00-19:00 \u00ed s\u00fdningarsal Skaftfells, Austurvegi 42.<\/strong><\/p>\n

Opnunart\u00edmar: 18.-20. mars, kl. 12:00-21:00.<\/strong><\/p>\n

Gengi\u00f0 inn um Bistr\u00f3i\u00f0.<\/p>\n

\u00a0<\/p>\n

Julian Harold<\/strong><\/a> is a transdisciplinary artist from France. His vast undertaking of subjects such as history of art, mythology, folklores, biology, aesthetics, universalism and secular spiritualism favors blurring the distinction between photography, poetry, graphic, installation and performing arts. Flirting between the artificial and the natural, Julian tackles phenomenology and directs mutant sceneries.\u00a0Julian graduated from Central Saint Martins, London, with a BA in Performance Design and Practice (2017).<\/p>\n

Hyun Ah Kwon<\/strong><\/a> is a visual artist, sound producer and printmaker from Seoul, South Korea, currently based in London. Her work draws upon the experience of the Sublime, brought upon by a visual blurring of private and public spaces. Using the spatially disorienting effects of light and video, projected and reflected from indoor to outdoor spaces and vice versa, Hyun Ah is interested in visualizing the interlacing and disintegration of boundaries between an inner self and an outer self, which for her constitutes the sublime experience.\u00a0Hyun Ah Kwon graduated from Central Saint Martins, London (MFA, 2018), Ewha Woman\u2019s University in Seoul (BA, 2015), and the Global Student Program at the University of California, Davis (2014).<\/p>\n

Kristen Mallia<\/strong><\/a> is an artist based in Boston, Massachusetts. Her installations, printed matter, and time-based media are deeply rooted in iteration and process, and examine the roles of preservation, performance, and collection in our daily lives. Embracing both analog and digital materials, she examines how time, memory, history, and the framing of content inform our understanding of value.\u00a0Kristen teaches at Boston University, Massachusetts College of Art + Design, Suffolk University, and the School of Museum of Fine Arts at Tufts University. Most recently, her work has been exhibited at Nave Gallery in Somerville, MA, Gallery 263 in Cambridge, MA, and Boston East Gallery, in East Boston.\u00a0Kristen\u2019s residency at Skaftfell is supported in part by a grant from the Mayor\u2019s Office of Arts and Culture and the City of Boston.<\/p>\n

Kirsty Palmer<\/strong><\/a> lives and works in Glasgow. Her practice is often driven by formal concerns; materials, their changing states and the making process itself. She is interested in the phenomenological potential of materiality, archaeology and landscape as a site of memorial. Her work often presents as a site-specific \u2018archipelago\u2019 of surfaces, forms and images and can itself be seen to form a memorial of sorts; a dedication to a particular physical space, image or process.\u00a0Kirsty graduated from the MFA programme at The Glasgow School of Art in 2014, and with BA (Hons) in 2010. Recent exhibitions include LANDING, <\/em>Glasgow Project Room, Glasgow (2019); Of<\/em> A Mountain\/ Af fjalli<\/em>, Br\u00e6\u00f0raborg, \u00cdsafj\u00f6r\u00f0ur\u00a0(2018); Flock & Fold<\/em>, S\u00cdM, Reykjavik (2018); I S L A N D <\/em>S, Patriothall Gallery, Edinburgh (2017).\u00a0Kirsty’s residency at Skaftfell is supported by Creative Scotland Open Project Funding.<\/p>\n

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\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

STA\u00d0UR_ er \u00feriggja daga s\u00fdning \u00ed s\u00fdningarsal Skaftfells \u00e1 verkum eftir Julian Harold (FR), Hyun Ah Kwon (KR), Kristen Mallia (US) og Kirsty Palmer (UK) sem eru gestalistamenn Skaftfells \u00ed febr\u00faar og mars 2020. S\u00fdningin STA\u00d0UR_ er vi\u00f0brag\u00f0 listamannanna vi\u00f0 kynni \u00feeirra \u00e1 sta\u00f0 og r\u00fdmi me\u00f0 \u00fev\u00ed a\u00f0 sko\u00f0a ferli, efni og t\u00edma. Hver […]<\/p>\n","protected":false},"author":1,"featured_media":2276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wds_primary_category":0,"footnotes":""},"categories":[127,420],"tags":[],"class_list":["post-7968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-busetuaaetlun","category-frettir"],"acf":[],"_links":{"self":[{"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/posts\/7968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/comments?post=7968"}],"version-history":[{"count":0,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/posts\/7968\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/media\/2276"}],"wp:attachment":[{"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/media?parent=7968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/categories?post=7968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaftfell.is\/is\/wp-json\/wp\/v2\/tags?post=7968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}