Natures aesthetic preservation and human intervention / aspects of utopia and dystopia.
This Thursday evening, August 28, the Greek artists Maria Glyka and Vassilis Vlastaras will present a taste of their recent project they have been working on while residing in Seyðisfjörður as artists in residence, at the Bookshop – projectspace at 19.00.
The project “ weeds, those trojans ” started in August 2014 by visual artists Maria Glyka and Vassilis Vlastaras as part of Skaftfell’s artist in residence program.
The artists borrowed the phrase of the title from H. D. Thoreaus Walden; or Life in the Woods (1854) where he sets a moral question in relation to what is correct and what is violent regarding human intervention: But what right had I to oust the johnswort and the rest, and break up their ancient herb garden?.
Each morning he struggles with the weeds, putting soil, transforming the grass:
It was a singular experience that long acquaintance which I cultivated with beans, what with planting, and hoeing, and harvesting, and threshing, and picking over and selling themthe last was the hardest of allI might add eating, for I did taste. I was determined to know beans. When they were growing, I used to hoe from five o’clock in the morning till noon, and commonly spent the rest of the day about other affairs. Consider the intimate and curious acquaintance one makes with various kinds of weedsit will bear some iteration in the account, for there was no little iteration in the labourdisturbing their delicate organizations so ruthlessly, and making such invidious distinctions with his hoe, levelling whole ranks of one species, and sedulously cultivating another. That’s Roman wormwoodthat’s pigweedthat’s sorrelthat’s piper-grasshave at him, chop him up, turn his roots upward to the sun, don’t let him have a fibre in the shade, if you do he’ll turn himself t’ other side up and be as green as a leek in two days. A long war, not with cranes, but with weeds, those Trojans who had sun and rain and dews on their side. Daily the beans saw me come to their rescue armed with a hoe, and thin the ranks of their enemies, filling up the trenches with weedy dead. Many a lusty crestwaving Hector, that towered a whole foot above his crowding comrades, fell before my weapon and rolled in the dust.
The result for him is confusing, there is a dilemma between cultivation as a human need for survival and the right of all organisms to sustain their vital connection with the land. Is it the wilderness or the interference that constitutes the preservation of the world? Is it a matter of aesthetic pleasure and quality of life? It is definitely a matter of culture (cultivating) as we discriminate the good from the bad, we make choices based on our intelligence.
Setting up alternative communities and economies challenge the aspects of contemporary societys view on matters like these. Social processes and experimentations often offer solutions or forms of utopianism/dystopianism as contemporary formations. Studying philosophical and literature texts such as from theorists and thinkers, offer crucial sources for a visual debate on the role of art nature.
In The Bookshop-project space the artists attempt to capture the beginning of their research in a visual and performative installation.
http://glykamaria.blogspot.gr/
https://sites.google.com/site/vassilisvlastaras/home
