When The Boat Is Sailing Into Island I Know No More Than What I Know Now.
Jin Jing (CN) og Liu Yuanyuan (CN) ver?a me? pop-up s?ningu ? Her?ubrei? fimmtudaginn 26. september, kl. 17:00-20:00, ?ar sem ?au munu s?na afrakstur eftir tveggja m?na?a dv?l ? gestavinnustofu Skaftfells.?
? bo?i ver?a l?ttar veitingar og allir eru hjartanlega velkomnir.
Jin Jing b?r og starfar ? Xiamen ? K?na. H?n er me? tv?r MA gr??ur; eina fr? H?sk?lanum ? Xiamen og a?ra fr? Sandberg Instituut, Hollandi. Me? listi?kun sinni er h?n st??ugt a? sko?a eigin tilvist og velta fyrir s?r hversu ?rei?anleg birtingarmynd heimsins er. Jin Jing notar k?mnig?fu til a? s?na fram ? m?tsagnirnar sem n?t?masamf?l?g b?a yfir ? formi lj?smynda, myndbanda og innsetninga, og tileinkar s?r samhli?a sj?narhorn b??i sem ?horfandi og ??tttakandi. Verk hennar voru til s?nis t.d. ? Beijing Today Art Museum, De Appel Art Center, American Selby Art Gallery, CEAC (Chinese European Art Center) ? Xiamen og ? s?ningunni R?llandi snj?bolti ? Dj?pavogi.
Vi? dv?l s?na ? Skaftfelli hefur Jin Jing lagt ?herslu ? a? fanga l?mskan vandr??agang og tilfinningu fyrir fjarl?g? ? tengslum vi? f?lk og landslag. Me? innsetningunni ?g veit ekkert meira en ?a? sem ?g veit dregur h?n fram vanm?tt og l?tilv?gi manna auk m?tsagnarinnar ? milli augnabliksins og ?ess eil?fa.
“In these images the landscape has been flattened into a “tableau” without context, lacking a spatiotemporal axis. People and objects appear inside this “tableau”, but lack a narrative connection. In front of the absolute existence of nature, the position of human beings as the outlier is emphasized. An uneasiness emerges behind the seemingly orderly,?as if somone or something has been landing on unknown land. This appearance of human presence is an instant, an instant that can be completely ignored by nature.”?Jin Jing
Liu Yuanyuan b?r og starfar ? Xiamen, K?na. H?n er myndlistarkona, innkaupastj?ri t?skufatna?ar, h?nnu?ur og frumkv??ull. H?n ?tskrifa?ist fr? H?sk?lanum ? Xiamen me? BA gr??u. Verk hennar voru n?lega til s?nis ? CEAC (Chinese European Art Center) ? Xiamen og ? s?ningunni R?llandi snj?bolti ? Dj?pavogi.
Listr?n i?kun Liu Yuanyuan einbl?nir ? a? ?r?a heilsteypt sk?punarkerfi sem nefnist Fl?skukenningin . H?n l?sir ?essu kerfi sem r?kfr??ilega a?fer?arfr??i me? ?v? a? nota ?hlutbundinn, afbygg?an, r?mfr??ilegan str?kt?r og skuggasv??i til a? kanna afbygg? r?mi, millir?mi og t?mar?m. Kjarni Fl?skukenningarinnar er merkingarleysa. ?ar a? auki ?r?a?i Liu Fl?skutungum?li? me? ?v? a? byggja ? fl??i me?vitundar.
Liu Yuanyuan kynnir innsetninguna ?egar b?turinn siglir til eyjunnar” ?ar sem h?n notast vi? heilsteypt sk?punarkerfi sem h?n ?r?a?i sj?lf og kallar Fl?skukenninguna til a? greina landslag ? ?slandi. ? landslaginu skynjar h?n eins konar ry?ma og undirliggjandi ?s?nilega reglu og l?sir ?v? sem ?endanlegt form me?vitundar og sem m?tt?kilegt og s?nilegt minni .
“Reality does not exist in concrete matter but in the connection points of structures. It is an?order?that still exists in dismantled matter. When I stayed deep inside the Icelandic landscapes, I perceived an infinite form of consciousness. These landscapes are?perceptible and visible memory. They are constructed by pasted experiences of the spatiotemporal, and are constantly?regenerating. The true self detached from the substance and assimilated with?the spatiotemporal when I was staring at these landscapes for a long time. Thus, its sphere of consciousness appears and the invisible content is presented. I am getting more and more closer to the Bottle World.” Liu Yuanyuan
