Listamenn í Frontiers in Retreat koma í annað sinn

Skaftfell býður velkomna gestalistamennina Kati Gausmann, Richard Skelton og Ráðhildi Ingadóttur. Listamennirnir komu fyrst og dvöldu á Seyðisfirði í September 2014 og samtímis hófst þátttaka þeirra í verkefninu Frontiers in Retreat. Nú hefja þau seinni dvölina frá maí til júní 2016.

Kati Gausmann: Frottage on the mountain about 102 m above sea level, from the series ‘dancing dough and circumstances’, 2014, photo of work.

Kati Gausmann is a sculptor living and working in Berlin. Her work is concerned with movement, rhythm, and action as form-generating processes. In her artistic practice she combines the exploration of different materials and their qualities with acts of drawing, installation, and performance. Artistic expeditions and theoretical investigations are an important part of her working methodology. With the artist group msk7 and as a solo artist Kati has exhibited widely in Germany, as well as at Gallery Kling og Bang, Reykjavík. While participating the Frontiers in Retreat project Gausmann has an online sketch book:

Richard Skelton, Towards a Frontier, 2014-2016

Richard Skelton is an artist from northern England, UK. His work is informed by landscape, evolving from sustained immersion in specific environments and deep, wide-ranging research incorporating toponymy and language, ecology and geology, folklore and myth. Over the past 10 years he has worked with texts, artist’s books, films and music, but more recently he has become interested in using curation as a means of exploring counter-historical narratives. Alongside running Corbel Stone Press with the Canadian poet Autumn Richardson, he is ‘founding member’ of the Notional Research Group for Cultural Artefacts and the Centre for Alterity Studies.

Ráðhildur Ingadóttir, Hægt og bítandi, Seyðisfjörður, 2014-2016

Ráðhildur Ingadóttir lives and works in Reykjavík and Copenhagen, She studied art in England from 1980 to 86, and has been active as an artist since then. Ingadóttir’s approach includes text, drawings, wall paintings, sculptures and videos and often these elements are incorporated into expansive installations. She has through the years exhibited extensively in Europe. Ingadóttir was a visiting lecturer at the Iceland Academy of the Arts from 1992-2002. She has also been visiting lecturer at the Royal Danish Academy of Fine Arts. She was on the board of the Living Art Museum in Reykjavik for some years, and curated and co-curated exhibitions there as well as elsewhere. From 2012 to 2014 she acted as an honorary artistic director at Skaftfell Center for Visual Art in Seyðisfjörður, Iceland. Ingadóttir has received art awards and travelling grants both in Iceland and Denmark.